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Are We Algorithms? A Critical Response to Yuval Noah Harari’s Homo Deus

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INTRODUCTION Yuval Noah Harari’s Homo Deus: A Brief History of Tomorrow presents a bold, sweeping narrative about the future of humanity. In his widely viewed public lecture promoting the book¹, Harari claims that liberal humanism—with its emphasis on free will and subjective experience—is being replaced by a new worldview grounded in data science and artificial intelligence. Central to his thesis is the assertion that “organisms are algorithms”—that human feelings, decisions, and even consciousness can be reduced to computational processes. Such claims are delivered with rhetorical clarity, but they raise significant philosophical and scientific concerns. Harari draws on contemporary science to support deterministic conclusions about life, thought, and agency. Yet his appeal to “science” often blurs the lines between speculative extrapolation and established fact. This article aims to unpack and interrogate the key claims Harari puts forward, including his reduction of emotion ...

Homer Could Not Be Achilles: Nietzsche on Art, Distance, and Self-Deception

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Achilles & Nietzsche. Archaic Greek style. AI-art Introduction Friedrich Nietzsche stands as a philosopher deeply attuned to the tensions that define human existence. Among these, the interplay between art and truth emerges as particularly fraught. For Nietzsche, artistic creation is a vital force, capable of transmuting suffering into form and chaos into symbol. Yet, this transformative power harbors a latent threat: the artist, in surrendering wholly to invention, risks conflating fiction with reality, becoming ensnared in self-deception. In his examination of the modern creator, Nietzsche cautions against the aesthetic danger wherein invention is mistaken for truth, leading the artist from conscious pretense to unconscious belief. This article examines this fundamental tension within Nietzsche's aesthetics. Through five key facets of his thought, we explore how artistic will can turn against itself, evolving into dogma, personal myth, and ultimately, a form of blindnes...