The Impossible Preface: Nietzsche, Derrida, and the Instability of the Beginning
Introduction: The Problem of the Threshold The preface appears to occupy a stable position. It is the first thing one reads; it introduces, frames, and justifies the work that follows. It functions as a gateway, an opening gesture that prepares the reader for what is to come. Yet a simple paradox unsettles this apparent stability: the preface is often written last. In order to announce what the book will say, the author must already know what the book has said. This observation, made explicit by Jacques Derrida, is not a minor editorial curiosity but a structural fissure. If the text that appears first is in fact composed afterward, then the distinction between beginning and supplement, inside and outside, becomes unstable. Long before this logic was conceptually elaborated, Friedrich Nietzsche had enacted it in his own writing. His Fünf Vorreden zu fünf ungeschriebenen Büchern (1872–73) and the Versuch einer Selbstkritik added in 1886 to The Birth of Tragedy form a constellati...