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From Lascaux II to the Matrix. AI art Introduction The rapid proliferation of artificial intelligence has transformed how texts, images, and even voices are produced. These outputs often have no direct counterpart in the world—they are generated patterns, assembled from prior data but not tied to any original source. How should we interpret a photograph of a person who never lived, or an essay created without authorial intent? Jean Baudrillard’s Simulacra and Simulation (1981/1994) offers a striking conceptual framework. His theory of simulation, the four phases of the image, and the emergence of hyperreality illuminate not only the logic of media culture in general but also the particular dynamics of AI-generated content. The Fate of the Image At the outset of The Precession of Simulacra , Baudrillard outlines four successive stages in the destiny of the image: Reflection : The image reflects a profound reality—a portrait or religious icon that purports to mirror som...

  Introduction The term "narrative" has long been part of the English language, generally referring to a story or description of events, whether real or fictional. However, in recent years, "narrative" has taken on a new relevance in political and social discourse. Today, expressions like "imposing the narrative" or "the prevailing narrative" refer to the struggle for control over the dominant interpretation of facts or events. This article explores the origin of the term in its current connotation, examines the philosophical movements that support the primacy of the narrative, and analyzes its potential weaknesses and fallacious premises. Context and Origin of the Term The use of "narrative" in a political and social context began to gain traction in the early 21st century, particularly from around 2010 onward, coinciding with the rise of social media and political polarization in several parts of the world. As digital media ...